We would expect any clear thinking American would consider these acts as taxpayers sponsoring home-grown terrorism.
Friday, 26 December 2014
Friday, 26 December 2014
Written by Alex Newman
As if the American people needed more evidence that the Obama administration’s Justice Department was out of control after six years of non-stop scandals, it was recently revealed that the DOJ was funding a “community” organization linked to a controversial rap music video glorifying the murder of New York City police officers. The group in question, Bronx Defenders, has received at least $1.5 million in U.S. taxpayer dollars from the Department of Justice, and played a prominent role in the pro-cop killing music video. The link between the widely condemned rap production and the DOJ made headlines this week after two New York City Police Department (NYPD) officers were murdered, execution style, under the guise of obtaining “revenge” for the deaths of Eric Garner and Michael Brown.
The explosive link between the Justice Department-funded organization and the glorification of violence against police was first reported by the Heritage Foundation’s Daily Signal news outlet on December 22. It was not immediately clear whether the Bronx Defenders group, which is featured in the video, along with staff attorneys for the organization, played a role in financing the violent film. In addition to DOJ funding offered under a program ironically named after a murdered NYPD officer, the organization has also received upwards of $40 million from city taxpayers just in the last two years. So far, the Bronx Defenders has largely remained silent about the full extent of its involvement in the production, according to media reports.
The lyrics and images, though, sparked a national outcry and left members of the law-enforcement community furious. “For Mike Brown and Sean Bell, a cop got to get killed,” go the words of the song, called “Hands Up (Eric Garner Tribute)” by rappers “Uncle Murda” and “Maino.”
"Time to start killing these coppers." The music video also features numerous images of two black men dressed in thug costumes pointing handguns at a police officer’s head. The violent words of the rap song make numerous references to killing law enforcement officers to obtain “revenge” and “justice” over the alleged systemic racism and brutality of police officers across America.
It was not clear whether the rap duo knew that the supervising officer at the scene of Garner’s fatal takedown was a black female, a fact most of the establishment media has carefully omitted from its reports aimed at stirring up racial strife. By contrast, in the Rodney King incident, the supervising officer, a white male, was hysterically demonized in the press for months on end. When a state jury refused to convict him, the federal government eventually came down on that officer, though nothing similar appears to be in the works against the supervising officer at the scene of Garner’s ultimately fatal arrest.
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